Architecture
of Taj Mahal
Exterior
of Taj Mahal
The Taj itself stands on a raised platform.
The four minarets at each comer of the plinth provide a perfect balance to
the tomb. The minarets measure 41.6 Ih high and each has a deliberate slant
outwards so that in an unlikely even! of an earthquake, they would not fall
on the tomb but away from it.
The bulbous dome of the Taj Mahal rests on an extraordinarily high drum and
rises to a total height of 44.41 mt. trom the base of the drum to the apex
of the finial.
The central dome of the Taj is flanked on all four angles by four very appropriate
Chhatris which though sufficiently detached, appear to be attached to the
dome, irrespective of the angle of the view.
There is only one point of access to the plinth and tomb, a double staircase
facing the entrance.
One has to remove shoes over here or can put on the shoe covers, which are
provided by the staff stationed here for this purpose.
Interior of Taj Mahal

The interior of the mausoleum comprises a lofty central chamber, a crypt immediately
below this and four octagonal corner rooms originally intended to house the
graves of other royal family members.
In the centre are the cenotaphs of Shah Jahan and Mumtaz Mahal. Shah Jahan's
cenotaph is to the left and is higher than that of his beloved which rests
immediately below the dome.
The cenotaph of Mumtaz Mahal stands in the centre of the marble screen, it
has inscribed on it in Persian with texts from the Koran. The cenotaph of
Mumtaz has the single epitaph inscribed on it- "Marqad Munavvar Arjumand
Bano Begum Mukhatib bah Mumtaz Mahal Tanifiyat fer sanh 1040 Hijri" (Here
lies Arjumand Bano Begum called Mumtaz Mahal who di((d in 1040 A.H. or 1630
A.D.)
The cenotaph of Shah Jahan is inscribed in Persian- .'Marqad Mutahar Aali
Hazrat Firdaus Ashiyani Sahib-qiran Saani Shah Jahan Badshah taab surah sanh
1076 Hijri" (The sacred sepulchre of his most exalted Majesty, dweller
of Paradise, the second lord of constellations, the king Shah Jahan, may his
mausoleum ever flourish, 1076 A.H. (1666 A.D.).
Above the tombs is a Cairene lamp, the flame of which is supposed to never
burn out.
Marble screen of trelliswork surrounds the graves. Both tombs are exquisitely
inlaid with semiprecious stones.
The acoustics of the building are superb with the domed ceiling being designed
to echo chants from Koran and musician's melodies.
It is suggested that one walk around the outside of the tomb, before retrieving
your shoes, to appreciate it from all sides.